Student Dwellings wins the Leiden Architecture Audience Award 2013
KAAN Architecten wins the yearly prize thanks to the public preference.
KAAN Architecten wins the yearly prize thanks to the public preference.
In order to present the exciting new currents of Dutch architecture, Chinese magazine World Architecture (WA) has invited Kees Kaan to curate the issue aptly titled ‘Non-Super Dutch’.
In his opening statement, Kees Kaan elaborates on the contemporary developments in Dutch building culture: “The Netherlands has an ideal culture for conventional architecture. The cultural consensus here leaves no room for the unbridled creativity of a genius. Property development has been regulated in such a way that all parties involved or tangential to the process have a right to voice their interests or concerns.” By default, this has influenced the role of the architect within that process, making it a role of inspiration, storytelling, conception and management. “Architects have relinquished control as master builders and are not the sole authority on how to build, but are now professional advisors in teams of interested parties,” says Kaan.
Along with Kaan, a group of independent writers – such as Ruud Brouwers, Kirsten Hannema and Yang Zhang, have contributed to revising the iconic, yet outdated notion of ‘Super Dutch’. Moreover, the issue includes a project selection which is completely arbitrary, in order to showcase a diverse range programs and typologies in recent architectural production.
Read the full opening statement here.
‘Young people with fresh new ideas are the lifeblood of our office’ claims KAAN Architecten founding partner Dikkie Scipio in her latest interview for the Fleur Groenendijk Foundation where she serves as a board member. Right at the heels of announcing the new De Meester winner for 2018, this rings true more than ever.
Graduating with top marks aside, the success of every young architect relies heavily on being recognized and embraced by potential customers or employers, explains Scipio. This is why De Meester award was created – to give young graduates a platform to present themselves to larger audiences and make a debut within the professional sphere. Along with a jury of industry professionals, she seeks to highlight the work of recent graduates that shows social and contextual relevance, craftsmanship, and a clear vision.
Same rules apply within the office, where combination of experienced and young architects meet in a dialogue that is essential for the design process. In her own words: ‘This is the start of the dialogue that you hope will lead to something better, something that you could not have thought of beforehand.’
Read the full interview here. (Dutch only)
Photographer Dominique Panhuysen continues her photographic expeditions to the New Amsterdam Courthouse construction site, showcasing the progress made during past six months in the latest photo report issue.
After the completion groundwork and construction of the two basement levels, as showcased in the previous issue, the building started to rise above ground with first facade columns being put in place. KAAN Architecten is undertaking works for the New Amsterdam Courthouse as part of a consortium which includes Macquarie Capital, ABT, DVP, construction companies Heijmans and M.J. de Nijs & Zonen, and Facilicom. Completion of the project is expected in September 2020.
On a recent visit to the Royal Museum of Fine Arts in Antwerp, photographer Sebastian van Damme recorded instances from the ongoing renovation. Explore the full photo report below!
The complete overhaul of Antwerp’s prestigious institution aims to restore the original routing and decorations dignifying the intrinsic qualities of the space, while the new extension enriches the museum experience through contemporary practices. End of construction is expected in 2021, while the museum will open its doors to visitors in early 2022.
Photography by Sebastian van Damme.
Construction of KAAN Architecten’s mixed use complex in Lille, France is in its final stages. Located right along the canal of the Deûle river, the set of buildings will encompass residential units, offices and a group of commercial spaces located on the lower levels.
End of construction is expected in 2019. Once completed, Ilot 13 will be the fourth project by KAAN Architecten built in France including recently inaugurated Institut des Sciences Moléculaires d’Orsay. In addition, the monolithic Chambre de Métiers et de l’Artisanat in Lille will open its doors to the public at the beginning of 2019.
Photographs by Sebastian van Damme.
This Thursday, 13 December, Kees Kaan will participate in the lecture series ‘Making Architecture’ at TU Eindhoven together with Jeroen van Schooten (Team V Architectuur). In a double lecture format, the speakers will elaborate on a number of projects that show how the process of making – from concept to building, unfolds within their offices.
The event will take place in the Filmzaal of the Zwarte Doos at the TU Eindhoven at 19.30. The lecture series is organized by AnArchi, Study Association for Architecture, and Juliette Bekkering of The Chair of Architectural Design and Engineering (ADE) at the TU Eindhoven. Find out more here.
A month ago, the jury led by Dikkie Scipio crowned the De Meester 2018 award winner Bram van Ooijen and his project project ‘Wihdatopia’. Following the ceremony, a full report was issued elaborating the judging process, the nominated projects and the ultimate winner.
The De Meester jury was comprised of the journalist and author Tracy Metz, architect Bjarne Mastenbroek, urban planner Karen van Vliet, and Rotterdam Festivals director Johan Moerman, led by KAAN Architecten founding partner Dikkie Scipio. During the event, all three candidates presented their projects followed by a panel discussion with the judges. However, it was Bram’s study of the refugee crisis as an urban problem of the 21st century that left a lasting impression on the jury and led him to the De Meester title.
Through his project, Bram questioned the role of the urban planner in a complex situation set in a Palestinian refugee settlement where there is no control by a form of central authority. Based on this, he formulated a strategy to develop the refugee camp from the state of exception into an inclusive urban district. The jury praised his impressive analysis and proposals which would serve as catalysts for future architectural and urban development of the area. Nevertheless, the prize also comes as a further assignment for Bram to clarify how city makers can contribute to this issue within their discipline.
Follow the link to explore the complete project and read the full jury report.
This September, CUBE Education and Self Study Centre opened its doors for the start of the new academic year at Tilburg University. Months later, the building is in full use by over 2200 students and faculty daily. Featured photo report captures the atmosphere and activities over the course of a typical school day in CUBE.
Nestled unassumingly among the trees, the building is anchored into the landscape by the paved orthogonal pathways that guide users to the entrances. Once inside, the ground floor unfolds as a progression of public spaces – open study areas, lounges, circulatory spaces and a restaurant. They stretch inside and out, allowing users of the study plaza the freedom to study or take a break within the same space. Abundant daylight and sweeping sight lines through the building allow the structure and surroundings to flow seamlessly into each other.
To mark the release of the new Crematorium Siesegem project, KAAN Architecten has published a book showcasing the design.
Nestled in the landscape, the crematorium building is a comforting sequence of spaces in symbiotic relationship with its tranquil surroundings. It is an ode to verticality, while being horizontal and pure in its geometry and balanced proportions. Its calm, easily readable environment and tranquil landscape merge together to emanate genuine serenity.
Utopia – Library and Academy for Performing Arts in Belgium and Institut des Sciences Moléculaires d’Orsay in France have been nominated for 2019 edition of the European Union Prize for Contemporary Architecture – Mies van der Rohe Award just months after their official release earlier this year.
Both buildings represent landmarks in their respective communities – Utopia as long-awaited cultural hub of Aalst, Belgium and ISMO as a flagship of the new urban campus in France. Complex programmes merging multiple functions and careful contextual design are other common aspects of the nominated projects.
Utopia Library and Academy for Performing Arts incorporates a striking historic building from the second half of the 19th century and rejuvenates the urban landscape while elegantly giving expression to the required functionality. The project was carried out through close collaboration between KAAN Architecten as designer and Van Roey as main contractor. Meanwhile, Institut des Sciences Moléculaires d’Orsay, designed in collaboration with local architects FRES Architectes as a part of the future Paris-Saclay campus, is dedicated to higher education, research and innovation.
Other KAAN Architecten projects nominated in the previous editions of the EU Mies Award include Education Centre Erasmus MC and the Supreme Court of The Netherlands. Organised by the Fundació Mies van der Rohe with support of the Creative Europe programme of the European Commission, the Award is dedicated to recognizing and commending excellence in European architecture. The Jury will announce the 40 shortlisted works at the beginning of 2019, while the 5 Finalist works will be known in February.
Photographs courtesy of Fernando Guerra FG+SG, Delfino Sisto Legnani e Marco Cappelletti.